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"Australia was
one of the only
places that
actually got the
first album, the
one with Total
Control on it,"
Martha Davis
recalls. "That
album was how I
always envisaged
the Motels: more
spooky, more
cinematic, less
polished.
Different
producers
influenced that
later, but
that's the
direction I
always lean."
Maybe that's why
this spare,
spooky,
cinematic album
is Martha's
first under the
Motels' name in
22 years.
Clean, Modern
and Reasonable
marks the first
international
act on
Australia's
premier legacy
label,
Liberation Blue,
and the neat
completion of a
circle that
began when the
Motels had their
first surprise
hit so far from
home in '79.
Total Control is
the natural
centrepiece of a
spellbinding
experience. Dark
acoustic
versions of
Counting and
Celia will also
haunt the
memories of fans
who made the
Motels' debut a
cult classic.
The wealth of
subsequent hits
is as rich as
you'd expect –
but best leave
other
expectations at
the front desk.
"I sat down one
day with my
guitar and came
up with 15 songs
in really quick,
different, weird
arrangements,"
Martha says. "A
lot of them
remained as you
hear them, but
then me and
(producer)
Matthew Morgan
and
(keyboardist)
Nick Johns got
together and – I
don't know, it
just happened.
"My favourite is
Suddenly Last
Summer – that's
how dark I like
it," she says.
"Take the L (Out
of Lover) is
hilarious. That
song has kind of
been the bane of
my existence.
People love it,
but it always
seemed so over
the top and
goofy to me. Now
it’s this crazy,
creepy, sexy
samba and I
really love it."
Among the other
gems are an
exquisite, lost
B-side, Some
Things Never
Change, played
as a plaintive
piano/ vocal
dialogue; and
Angel, a
melancholy
return to
Martha's last
album, So the
Story Goes. A
brooding rock
version of the
Carpenters' most
chilling hit,
Superstar, is
the sole cover.
Clean, Modern
and Reasonable
was recorded at
the Burnpile,
Martha's house
in Portland,
Oregon. "The
whole house has
become a studio
now," she says,
"with mics in
hallways and the
basement, drum
kit in the
living room, a
lot of bizarre
instruments and
old stuff lying
around. It's a
wonderful,
creative place."
So much so that
this album was
recorded in the
midst of two
future Motels
albums – one of
which, Beautiful
Life, is due for
release within a
few months.
"There's also a
third album
that's sitting
there saying
'Where did
everybody go?'"
she says. "But
this was too
much fun. The
opportunity to
go back through
all those years,
to listen to
those songs now
and realise
they're almost
more suited to
now, in some
instances. To
hear them like
this is
wonderful."
The Motels
Timeline
1971 Martha
Davis forms the
Warfield Foxes
in Berkley,
California
1978 The
Motels are born
in LA
1979 Total
Control reaches
#7 in Australia
Self-titled
debut album
sells gold in
Australia, US,
Canada
1980 Second
album, Careful
breaks US Top 50
1982 All Four
One yields smash
singles Only the
Lonely and Take
the L
1983 Little
Robbers sells
gold; Suddenly
Last Summer hits
US Top 10
1985 Final
Motels album,
Shock
1987 Martha's
first solo
album, Policy
Don’t Tell Me
The Time is an
Australian hit
1997 The
Motels featuring
Martha Davis
resume touring
1998 No
Reservations –
The Best of The
Motels
2005 Martha's
second solo
album, So the
Story Goes
2006 Live
album, Standing
Room Only
2007
Liberation Blue
acoustic album:
Clean, Modern
and Reasonable
Martha's Motels
play Countdown
Spectacular 2 in
Australia
2008 New album
by The Motels,
Beautiful Life
|
1 |
Counting |
|
2 |
Celia |
|
3 |
Take The L |
|
4 |
Only The Lonely |
|
5 |
Superstar |
|
6 |
Total Control |
|
7 |
Danger |
|
8 |
Some Things Never Change |
|
9 |
Suddenly Last Summer |
|
10 |
Shame |
|
11 |
Angel |
|
 |
|