“It means The Great Silence,” Suze DeMarchi clarifies, for those
who don’t speak spaghetti western. “It seemed
appropriate. It’s a soft, quiet, dreamy kind of record.
And it’s been a long time.”
13 years, in fact, since the last Baby Animals album, and 8 since
Suze’s exquisite solo record, Telelove. It’s apt that
this highly anticipated return combines the tenderness
and maturity of the latter with so many of the classic
songs that made Baby Animals THE rock’n’roll success
story of the early ‘90s.
Early Warning, Rush You, Painless and One Word were the first shots
in a rock radio revolution in the year that followed.
Here they’re transformed beyond belief. The years have
leached unheard variations and subtleties from their
bones, a vindication of the kind of songcraft that
defies fashion.
“Liberation have been asking me to do this for a couple of years,”
Suze says. “I wasn’t interested ‘cause I had this rock
album in my head – as usual – and besides I was busy
being mum. Finally I thought if Justin was into it that
could be different. So I called the guys to see if they
were up for it.”
Producer Justin Stanley had recently been impressed by Suze’s new
demos. Stitch and U Still Need Me, a co-write with
INXS’s Andrew Farriss, would become her first new
recordings with Dave Leslie (guitar), Eddie Parise
(bass) and Frank Celenza (drums) since 1994.
“We did it all in Justin’s backyard in LA,” says Suze. “He has a
little studio full of quirky instruments he’s collected
over the years, odd stuff lying around. It came together
pretty easily, I can tell you: no stress, have fun, laid
back. When you pull those songs apart, you find all
kinds of stuff.”
Stuff like the ethereal melodic counterpoints in Early Warning, the
southern- rock roots of Rush You, the hypnotic Indian
drone in Painless (with Satnam Ramgotra on tablas) and a
gorgeous, blues piano lilt in Make It End, with Eric
Clapton sideman Doyle Bramhall on slide guitar.
From there to Submarine and Satellite – a pair of especially
memorable songs from Suze’s Telelove album – the golden
thread remains unchanged and unmistakable: a voice with
a unique combination of ball-breaking power and sensuous
intimacy that never fails to stop you in your tracks.
With that rock record in her head still determined to be heard, and
Baby Animals tour dates imminent at last, Il Grande
Silenzio represents not just an inspirational new work
in its own right, but a clear road ahead.
“This is great way to reaffirm what we’ve done and what we have,”
says Suze. “It has been difficult, especially when I did
the solo record, but I’ve always been a rock’n’roll girl
at heart. There was never any other band for me.”
1982 Suze
DeMarchi begins singing with Perth bands Photoplay, The
Kind.
1985 Moves
to London, records as EMI solo artist
1989 Back
in Perth, forms DD & the Rockmen with Frank Celenza
Baby Animals formed with Dave Leslie and Eddie Parise
1991
Self-titled debut album is a multi-platinum #1 smash
Band tours globe with Bryan Adams, Black Crowes
1992 Five
hit singles later, band wins 3 ARIAs including Best
Album
Tours internationally with Van Halen
1993
Shaved and Dangerous album hits #2
Band tours with Robert Plant
1994 Suze
resettles in LA
1996 Baby
Animals split
1999 Solo
album, Telelove
2000 Suze
writes with Andrew Farriss, performs with INXS
2004 Suze
inducted into West Australian Music Industry Hall of
Fame
2007 Baby
Animals reform to record Il Grande Silenzio for
Liberation Blue
2008 Tour
Australia for first time in 13 years
2008 Baby
Animals/ Shaved And Dangerous re-mastered and released
as a double pack
2008
Release of new material that ROCKS!
CD in stores 19/1/2008
|
|
1 |
One Word |
|
2 |
Early Warning |
|
3 |
Stitch |
|
4 |
Rush you |
|
5 |
Make It End |
|
6 |
Painless |
|
7 |
Submarine |
|
8 |
U Still Need Me |
|
9 |
Satellite |
|
10 |
Don't Tell Me
What To Do |
|
11 |
Working For The
Enemy |
|
 |
|